Like mapmakers, we draw and paint what we observe, but find our drawings inevitably cross over into the unknown, for, like maps, they are never truly, wholly accurate, never allowing for shifting points of view, or even the necessity of dreams.
This then, is our region—where the visible and invisible meet, where the observed and the intuitive lie side by side, and where the seen pays a constant debt to the unseen.
THOMAS LYON MILLS
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